Saturday, 15 April 2017

Wood and words

Parts four and five of Good Friday reflections: look at what is before our eyes! 

Wood and Words
[John 19:16-27]

Sonnets from John Donne's series La Corona




With his kind mother, who partakes thy woe,
Joseph turn back; see where your child doth sit,
Blowing, yea blowing out those sparks of wit,
Which himself on the Doctors did bestow;
The Word but lately could not speake, and loe
It suddenly speaks wonders, whence comes it,
That all which was, and all which should be writ,
A shallow seeming child, should deeply know?
His Godhead was not soul to his manhood,
Nor had time mellow'd him to this ripenesse,
But as for one which hath a long task, 'tis good,
With the Sunne to begin his businesse,
He in His age's morning thus began




By miracles exceeding power of man.



1.

Then Pilate handed him over to be crucified.

They took Jesus - he’s carrying the cross by himself.

He went out.

Handed over.
Taken.
Carrying the wood.

2. 

The one who came to reveal love, peace and abundant life is led out of the city; to face the suffering of hatred, rejection and condemnation; to suffer and to die.

The one admired for his teaching; the one who revealed God’s love in signs.
This one had brought new life; he’d restored our vision; he’d abided with us.
This one is now ridiculed for failure; publicly bearing the weight of shame and humiliation. 

He walks this way to Golgotha. To the place of the skull. To a place of desolation. 




3. 

He takes up the weight of the wood.

He walks alone. 

He walks through crowds: those who’d cried hosanna or crucify; those who weep or howl; those who’re attracted to a cruel spectacle; those who are helpless now to stop this.

He walks through the places in our world where people are dehumanised and abused; condemned and killed. 

What we see as he shoulders the weight of the wood is the weight of suffering; he shoulders the lost dignity for perpetrator and victim.

Behold the wood on which the saviour of the world was hung.
Behold its weight which would break down barriers.
Behold the wood by which God reconciled all things to himself; reconciling us to each other.
Behold the weight of witnessing to the depth of love and truth. 


4.

Golgotha: this place stands at the heart of human history. 
Here the Son of Man is lifted up: this is the moment when all things are drawn to the love of God.

And he is raised up alongside two others. We know not their crimes or convictions; their stories of loss, injustice, intent or desperation. This is the depths of human desperation and despair. Are we looking at the end?

All humanity is here: the guilty and condemned; those doing their jobs; the gamblers, the curious and the passers by; the family and those who mock.

The horror of human cruelty is a swirl of darkness: unimaginable yet all too visible.
The light that shines in this final hour is embodied in the one who gives his life freely. 



5.

Pilate is challenged about the words he uses. They are intentional.

Jesus of Nazareth, the King of the Jews.

We know not how much he understood; did he know himself to be held in the gaze of a heavenly king?

Whatever the limits of his earthly power, he refused to give in, to deny who he thought this man was.

In Hebrew, Latin and Greek: this inscription proclaims a truth to all the world.




Pilate colluded with fear yet in his own way uses the limits of his power to make a prophetic power declaration of love.

Do we kneel before this king? 

The source of truth and love at the moment of self-giving, at this moment of glory which judges the world of condemnation?

6.

Humiliation continues.

At the foot of the cross, this unlikely wooden throne, they are busily casting lots and dividing garments.

They are preoccupied with their own desire to gain in the face of loss: all that we have and acquire we will lose, yet we can at least bequeath things to others; here is the loss of dignity and dispossession; naked and humiliated. 

The Word is laid bare: and this Word speaks of being with us at the limits of human endurance, indifference and cruelty.

7.

Yet there is another moment if we dare to lift our eyes.

A moment of a son speaking to those he cherishes.

A moment when the truth and love our kinship is also laid bare: the tenderness of concern for our intimate acquaintances. The one who’d given birth to him and nursed him at her breast stands alongside the beloved disciples.  He was the one who at the last supper reclined next to Jesus in an intimate bond of love echoing the abiding of the Word with the Father. 

Yes this is an act of practical care - formation of a new household; sharing all that we have and all that we are.





The eloquence of the silent word turns again to speech. He can make not physical gesture, save perhaps to look on those he loved. 

In this moment of entrusting  disciple and mother  we see not finality but unity.

Oneness of Father, Son and Spirit is reflected in the oneness of a household; Mary and John reflect a new bond of love. The momentum of self-giving is extended and our vision of kinship is expanded - the giving of life to mother and friend, to share in love and communion. 

8.

With his kind mother, who partakes thy woe. 
The Word has spoken: in eloquent silence with confronts power and invites self-reflection.
The Word has spoken: in words of compassion which draw others into his self-giving love.
He exceeds the power of man: he knows our woes and weakness deeply.

He bears all this: in wood and words.



Hyssop and Spear


1.

Jesus knew that all was now finished: I am thirsty, he said.

Thirst: perhaps the most fundamental human need is for water. The physical sensation of being ‘parched’, dried up and running out of strength and energy.

In this heat; in this pain; the agony and isolation is intense.

He has entrusted those whom he loved into mutual care: their consolation is a lens onto this devastating physical suffering.

Dignity, capacity, autonomy, vitality and companionship: all the things we cherish have evaporated.

In thirst and anguish, life ebbs away.

2. 

His cry is heard.

There’s a jar of sour wine: a hint of humanity by those who pass by, those who’ve seen this scene oh so may times before; those who mock. 

Sour wine to quench thirst with bitterness: a touch that humanises or a means of extending this agony?




3. 

A branch of hyssop is dipped in it. 
It’s an herbaceous plant with antiseptic properties; a sign of medicine or balm in distress.
It’s woody stem and straight branches; it’s dark green leaves and fragrant flowers.
Here in human hands creation speaks of healing.

4.

And they soak the sponge: they raise it up to his mouth.

An act of compassion.

He receives it.

The crowd is silent: no taunts that the one who saved others is unable to save himself.

Hyssop and wine.
Received on parched lips.
And then he spoke.

5. 

And then he spoke: It is finished.
He bowed his head.
He gave up his Spirit.

Finished. Fulfilled. Accomplished. 

Words we associate with success; with completion; with our human achievement.

Here is sounds final. 

And yet, maybe,  a new work is begun.

This breathing out is a giving up of his spirit.

But this last act, Jesus breathing out… does it foreshadow his breathing out of Spirit?

He gave up his spirit.
He will give the Sprit.

Breath. Ruach. Life. Pneuma. Spirit.

6.

Human activity does not cease at this moment of finality or of breathing out.

We are taken back to the practicality: what is seemly on the day of preparation?
Humiliated and degraded bodies, stretched out and agonised are not to be left on the cross. Not on the day of solemnity. 

Pilate from his position of power understands this custom. He asks that the legs of the condemned men be broken.  Already exhausted and in excruciating pain, to hasten death by asphyxiation is brutal. 



When the come to Jesus he is already dead. They pierce his side with a spear.

Cold metal pierces flesh.

Blood and water flow.

What do we see?

They will look on the one they have pierced. And so do we.

7. 

We look on as water and blood flow. As love and life pour out.

It may seem too soon as we stand and gaze: and yet life is being transmitted to us.

This self-giving becomes of us a sign of rebirth: healing, cleansing, forgiving.

At this very point of finality - when cruelty has cried its last - there is a glimpse of something else.

Water a sign of spiritual thirst being quenched, perhaps?
Blood a sign of reconciling love, may be?

Dare we hope that in the midst of pain, the blood of Jesus, which will become a source of life?

Grain of wheat dies to bear much fruit: grapes crushed to produce wine.

The Word made flesh confronting hate, violence and all that separates us from God and each other.
The Word made flesh bears the weight of this sin and cries out, empties himself. For love.

He’d given us a sign of this: brokenness and healing; bread and wine. 

8.

On the night that we was betrayed; at supper with his friends.
He took, blessed, broke and gave.



This is my body - and we gaze on him who was pierced.

Blood and water; bread and wine: given for heath and healing and reconciliation. 

Our wounded hearts find her compassion and hope.

Our dry souls cry out for one drop of his blood.

What do we see before our eyes?

Our Saviour bears the weight of ambitious hate and the weakness of our will; he bears the times our compassion turns blind and cruel.

Condemned he bears the cross: lifted up he draws us to him.
The infinity of God’s love and life; held in this brief span; poured out.
This exceeds the power of sinful humanity.



© Julie Gittoes 2017

A crown of thorns

The second and third reflections from the Good Friday service: what do we see before our eyes as we look on power and customs, on the robe and the crown?


Power and Customs
[John 18:28-40]



Salvation to all that will is nigh,
That All, which always is All everywhere,
Which cannot sin, and yet all sins must bear,
Which cannot die, yet cannot choose but die,
Loe, faithful Virgin, yields himself to lie
In prison, in thy womb; and though he there
Can take no sin, nor thou give, yet he'will wear
Taken from thence, flesh, which death's force may try.
Ere by the spheres time was created, thou
Wast in his mind, who is thy Son, and Brother,
Whom thou conceiv'st, conceiv'd; yea thou art now
Thy maker's maker, and thy Father's mother,
Thou hast light in dark; and shutst in little room,
Immensity cloistered in thy dear womb.



1.

They took him: Those who held power and religious authority.

They took him: To one who held power of a conquered people.

Accusations have been made; he is treated as a criminal.

What’s the law, the custom, the penalty?
Who has the power over life and death?

2.

We see unfolding a clash of world views: it begins with a question ‘what accusation do you bring against this man?’

But the fingers aren’t just pointing at Jesus - but at the expectations of custom and the exercise of power.

We see the power of the occupier with the superior force of military might and a system of taxation and exploitation; a system which engendered fear, but which has it’s own fragility. 

We see the customs of the occupied with their religious practice and rituals, their beliefs and laws; with the challenge of resentment or collision and the desire for liberation. 

Is there a weakness to this power - born of rigidity?
How does it relate to the apparent stability of customs - and fear or confusion?


Nikolai Ge - Christ and Pilate (what is truth?), 1980.

3.

They’ve brought Jesus here because his presence is seen as a threat.

He’s the spark which might light the tinder box. The possibility of triggering a revolt would threaten the stability of custom.

What do we see before our eyes? 

Jesus’ presence unsettles their spiritual power and the social order. Not only does he raise up the poor and the broken, the curious and marginalised, but he is the Word made flesh. 

But the accusations and charges aren’t made explicit: there are assumptions about how much power understands about custom; appeals are made to power to implement custom.

4. 

The questioning becomes more intimate, more direct. Earthy power summons Jesus; they face each other

Pilate asks. Jesus replies. They speak of kingdoms and kingship.

Perhaps Pilate is trying to understand: he knows he is reliant on what others say, what he has seen of religion and custom in the place he’s been sent by those who have power over him.  Before him stands a King:

King of the Jews?
Do you ask on your own?
What have you done?
Kingdom not of this world?
So you are a king?

5.

A king who is bound, imprisoned and vulnerable.
A king of love.

A servant king who, in washing feet made  new the commandment to love.
A king who touched our wounded pride, reached beyond our defences and brought healing.

A king whose weakness communicates love made perfect.
A king of glory.


6.

The one who understands temporal and social power is confronted by one who reveals the truth. The truth of God’s love.

That question hangs in the air.

Truth.

What is truth?

7.

Truth. What is it?

The truth he speaks - the truth he embodies - is the power of love.

That heals and brings new life; which brings freedom. That message is declared by one who is held captive.

He was born for this truth: that in the face of our human propensity to sin we see God’s propensity to reach to the very depths and bring forgiveness and transformation. 

Jesus has created space for power to be challenged; for custom to be examined. 

Is it an invitation, statement or challenge: belonging to the truth means listening to his voice.

What is truth?

Pilate’s own question hanging in the air - unanswered.

We might speculate: does he want to go deeper or his he wearied by competing claims?

Does he live in a post-truth age? Where expediency and winning the argument, holding a fragile truce become more important?


When the voices of power next confront each other, we enter the realm of compromise.
Pilate finds no case against Jesus; but he hands the power of life and death over to custom. 
Who will be released:  Barabbas or King of the Jews?
What do we see before our eyes?

We face annunciation. Salvation is nigh.

The crowd yells: this all, this one who is God with us yields not to a womb but to a prison.
The one who is immensity in Mary’s womb - and she her Maker’s maker - is refused release.

This all - the alpha and omega - God with us:
Which cannot sin, and yet all sins must bear,

Which cannot die, yet cannon choose but die.


Robe and Crown
[John 19:1-15]



Immensity cloistered in thy dear womb,
Now leaves his welbelov'd imprisonment,
There he hath made himself to his intent
Weak enough, now into our world to come;
But Oh, for thee, for him, hath th'Inne no roome?
Yet lay him in this stall, and from the Orient,
Stars, and wisemen will travel to prevent
Th'effect of Herod's jealous general doom;
Seest thou, my Soul, with thy faith's eyes, how he
Which fills all place, yet none holds him, doth lie?
Was not his pity towards thee wondrous high,
That would have need to be pitied by thee?
Kiss him, and with him into Egypt goe,



With his kind mother, who partakes thy woe.


1.

Despite his conviction that there was no case to enter, afraid of the crowds power, gave into their custom.

Pilate wants to let him go: Jesus poses no threat. Perhaps he thinks he’s delusional or an idealist; a good teacher perhaps who’s getting under the skin of the religious authorities. 

And now we see the soldiers weave a crown of thorns.




2.

Perhaps Pilate had hoped to placate the crowd by having Jesus flogged.

They inflict physical harm and humiliation.

The soldiers get carried away with their mockery.  Perhaps the’ve heard the cries of the crowd and look on at Jesus and see no threat to their strength and brutal might.  

It horrifies us: this routine violence.  

Jesus stands alone. Yet he also stands with.

With those who today face degrading physical abuse: today we open our papers and see the violence perpetrated against the gay community in Chechnya; at the start of this Holy Week we heard news of violence against our Coptic brothers and sisters.

Hidden behind closed doors human beings face torture, death and domestic abuse.

The one who is God with us stands alongside them. He has spoken up for them; we too are called speak out against abuse.  Who are we called to stand by?

3.

The soldiers see his physical weakness, exhaustion and vulnerability.

Do they think him a lunatic: they take Pilate’s questioning about kingship and kingdoms and twist it.

They mock him in a purple robe; they mock him in a crown of piercing thorns; they mock him in voices of spiteful adulation.  

Hail!
Hail, King of the Jews!

They strike him again.

In this way they mock and despise him and those whom he’d come to save: the Samaritan woman, the man born blind, the Greeks at the festival, Lazarus who’d been restored to life. 

Pilate takes him and brings him out to the crowd again. 

4.

He repeats his decision: I find no case against him.

Does he say it with more or less conviction now? Does he say it with more or less fear of the crowds?

Pilate hopes, perhaps, that this is enough. That this will bring an end to a trial which he does not understand.

Here is the man! he says.

A man. Enough now, surely.

But the chief priests and police alike still cry out ‘crucify’!

Pilate had no case against him. He wants to let him go. To let him go into the hands of those calling for his death.

The final charge is Jesus’ claim to be the Son of God.

This claim made in contempt and fear and derision takes us to the truth of who Jesus is.
It’s a truth that makes Pilate more afraid than ever. 

5.


Mockery, escalating tension and provocation leads to fear and compromise. Yet Pilate doesn’t stop asking: does the word ‘truth’ still linger in the space between them?

He asks: ‘where are you from?’

Jesus remains silent.

Silence.

Pilate is caught between the logic of custom and the limits of his power: he stands face to one who is poised yet in chains; the silent Word.



What power does this silent king hold.

Pilate takes this as refusal. As a threat to power.

He knows his own power: the power to release or crucify. 

How can he understand this divine rule? A refusal to speak which becomes words of heavenly authority; words which set earthly power in an altogether different light.

Having between these two men is the weight of power: of silence and purpose; of crown of thorns and imperial might; of heaven and earth; life and death; fear and freedom.

6.

Pilate tries to release him.

He hears again the cries.

So many what ifs break in: what if he loses control… what if the crowd overwhelms him… what if he’s removed from a position of power at the edge of a fragile empire?  

Religious authority grasps the fragility of his power: his friendship to the Emperor is being tested. Yet what if he acts against justice and his own conscience; where does this lead? 

Does it lead to open conflict? Can he suppress outright threat?

Here is your  king, he says: your king; he distances himself.

Does he, like Peter, lose his identity? Is this condemnation a denial of sorts?

7.

Truth and love: an eloquent silence.

Pushed to the margins by the clamour of the crowd.

When does fear darken our world leading us to abandon what is just and true?

Like Pilate (and like the crowd) we can become ensnared by our own fears and judgments?

There is no easy forgiveness or cheap grace.

Yet the one who is in chained came as a light to shine in the darkness.

What do we see before our eyes?

Still he proclaims the truth that God is love.

Many fear him, misunderstand him, reject him, condemn him: not wanting to be changed by this love.

Unpredictable earthly power cannot silence the life and hope he brings.
His wounds bring love to our broken hearts; to our fractured world.




8.

The one who was cloister’d in Mary’s womb came into our world in weakness. 

The inn had not room; yet the wise travelled to honour him.

The jealous general doom of Herod is magnified by those in power: in palaces and crowds.

His mother kissed him then and fled to Egypt. We with her share a different woe.


© Julie Gittoes 2017